A man appears onscreen, announcing the end of the patriarchy and the coming of the matriarchy in the United States. Immediately afterwards comes a parade of women. They are in distress. They are afraid. They evoke terrible images of the future. Like the men of RIP in Pieces America, they are haunted by paranoid fantasies and move quickly from smiling calm to visionary hysteria. With the second part of a series devoted to an invisible United States, Gagnon draws a portrait of the demons that perturb the anonymous American masses, somewhere between provocation and human solidarity. (Luciano Barisone)